Booklist gems #1
A couple of great options for your future booklists from the 2024 CBCA Book of the Year longlists.
Welcome to the first newsletter for paid subscribers! Thank you so much for supporting my project. This kind of bonus content will go out as often as possible and include things like booklist and other reading recommendations, interviews with educators about books they’ve had success with in and out of the classroom, and other musings about children’s literature that I hope will be beneficial for those that don’t have time to be across everything out there. Please get in touch any time and let me know if there’s something in particular you’d like me to write about!
Now, because I know it’s time to think about your 2025 booklists, here are some suggestions from the recent CBCA Book of the Year Awards:
I am the Mau & other stories by Chemutai Glasheen
Short stories can work wonderfully in classrooms, but it’s not always easy to find the right collection. I get this request a lot, so I’ll have to do a future newsletter with some more ideas! But for now, I’d highly recommend I am the Mau & other stories if you’re looking for a contemporary, enagaging, and myriad collection for Year 9-10 students.
I think I am the Mau could work as a more young adult alternative to something like Foreign Soil (although I am a huge fan of this in senior school!) and a much better option for Year 9-10 than some of the other outdated and very adult short story collections I tend to see on booklists. As much as I adore her, I don’t think Alice Munro is quite right for your typical Aussie teenager, and I don’t think it’s going to get many kids thrilled about doing their homework.
I am the Mau, on the other hand, just might.
This enticing collection of contemporary fiction is a celebration of our ubuntu: the invisible ties that bind us all together.
From ancient forest guardians to modern cultural warriors, from grappling with age-old traditions to championing hair identity, these evocative stories explore the duality of Kenyan life and how to find a way between two cultures, both of which are yours.
Chemutai Glasheen’s unforgettable characters are drawn from her early life in Africa with all its richness, diversity and complexity.
Some of the key elements of this text include:
Themes of connection to place, identity, tradition, war, and power
Rich language and strong, varied voices throughout
Multiple genres and time periods
East African settings
Deep explorations of human rights and gender
Keep reading with a 7-day free trial
Subscribe to I Read A Lot to keep reading this post and get 7 days of free access to the full post archives.